Tarantino’s upcoming western
Was waiting for Apple to get in the automobile game!
As of now, Apple does not make any automobiles on the market, officially. Mercedes-Benz announced when the next generation “infotainment” system launches with Apples voice-recognition software it will be Apple’s biggest move toward the car industry yet.
An original apple post stated “Apple(China) Looking for SQE/NPI with over 4 years Mechanical engineering background familiar with CNC/die casting/stamping/plastic injection, can use APQP/ PPAP/SPC to control product quality.”
Two weeks ago search went underway on LinkedIn for a Supplier Quality Engineer with experience in CNC. The project is currently display as “undisclosed” leaving us all to wonder what Apple has up their sleeve next.
Interesting post on the so-called Blade Runner sequel in the works. I’m on the fence on this one. You don’t mess with a classic. That said, I’m more inclined to be more accepting of a prequel than a sequel. Something about the history of replicants before they went amuck intrigues me. Are you for or against a Blade Runner sequel/prequel?
It’s no surprise that two of the most nominated films this year for the 2012 Academy Awards are titles that pay a great deal of homage to the early days of narrative and silent cinema. Historically, the Oscars are known for rewarding films that display a longing for cinema’s past – Singin’ in the Rain and Sunset Boulevard come to mind. This year, Martin Scorsese’s entry in the family film genre, Hugo leads the pack with 11 nominations, slightly surpassing Michel Hazanavicius’ The Artist with 10. Both are exceptional pieces of filmmaking. They excel in most facets of what makes a film ‘great’ – beautiful cinematography, charming scores, character performances and much more. Beyond this, one can’t deny their glowing fondness for the early days of filmmaking.
To be honest, when my wife and I went to see Hugo, I had no idea that the 2nd and 3rd acts would be preoccupied with what turned out to be the ‘Life and Times of George Méliès’ – the great special effects illusionist of early cinema. Not that I was complaining. It brought me back to my mornings hunched over a tabletop in a darkened lecture hall, taking very detailed notes of course, watching a cardboard rocket crash-land on what appears to be a gooey slab of cottage cheese with eyes.
Scorsese is no stranger to cinematic homage. He is after all – a ‘moviebrat’! The list is long and can be as detailed as a doctorate dissertation (Cape Fear, New York, New York, Shutter Island…), but one of Scorsese’s most famous references to cinema’s early days is the conclusion of Goodfellas. See below to see what I mean…what more do you want, I even embedded it right here for ya (that was my Joe Pesci impression if you couldn’t tell).
The important shot to note here is when Pesci’s character interjects Ray Liotta’s penetrating gaze (and narration for that matter) through the fourth wall. This shot is a reference to The Great Train Robbery (1903) by noted narrative cinema innovator, Edwin S. Porter. For film historians, discourse around this film’s significance to the history of the art form tend to narrow in on Porter’s knack for shooting action and building excitement through cross-cutting, camera movement, on-location shooting and the list goes on. If you have 10 or so minutes to kill, by the mighty powers of the interwebs, you can watch this little picture right here, and I highly encourage you to do just that. And believe it or not, I found this on Google Video and not Youtube…huh.
Part II – The Artist, Silent Cinema and De Sica
Welcome to shortcircuits of the real.
Been a while since I ever ‘blogged’ about anything. The itch has been there for a while and thought ‘what better way to start off a new year than to do what one has been wanting to do for some time’.
For my first post, I thought I’d offer some insights into the name of this blog. Anyone who knows me won’t be surprised by the title, but for those of you who don’t…
Besides the fact that this film had clearly made a considerable impression on what grew to a lifelong fascination with artificial intelligence, science-fiction, 80s movies and the like, to name my brand spanking new pop culture blog after a film that features a character that speaks nothing but pop culture gab was perfect! However, shortcircuits.wordpress.com was already taken…
So, my interest in geeky cultural/psychoanalytical theory got the better of me and I decided to bookend my title with reference to a concept that spoke to much of my interests in school. ‘The Real’ is a concept that I don’t have any real interest in explicitly exploring here, but I think it will permeate my online ramblings as an inevitability. My use of ‘the Real’ in the title is to simply evoke what I see as a conceptual thread for more and hopefully, consistent posts to come. My adoption of this concept stems more directly from the work of Jean Baudrillard and Slavoj Žižek and their musings on the growing complexities of distinguishing what we believe to be ‘reality’ from ‘illusion’ or the inability to distinguish one from the other. Oh who am I kidding, it adds a bit of snap to a blog name doesn’t it!
This won’t be an academic or theory-heavy blog (at least I don’t think it will be), but a place that I hope to share some thoughtful and fun commentary on this crazy and often entertaining world we live in. Enjoy!